Timberlake's Parker being the obvious catylist behind Zuckerberg's actions having been seduced by the risky entrepenaur.Įisenberg most famous for playing the likeable Columbus in Zombieland and lovable geek Brennan in Adventureland takes a change of pace to play an althogether unlikeble version of Mark Zuckerberg, I say version as the real Zuckerberg says that the film has him all wrong, although Sorkin has already admitted that the script isn't enteirley acurate and his version is more like an entertaining verion of events. Aaron Sorkin's screenplay concentrates on the legal issues of the story as well as telling the birth of Facebook and Zuckerberg's actions that bring about being sued by the twins and his best friend Eduardo. Sean Parker the creator of Napster in the shape of Justin Timberlake inserts himself into the website by impressing Mark and suggesting they drop the The from the name of the site. Recognising Zuckerberg's obvious talent they ask him to design the website, he agrees then takes the idea combined with his facemash and starts to design his own called The Facebook.įincher tells the story by switching back and forth between the two law suits that are bought by first the Winklevoss twins and Narenda who claim Zuckerberg stole their idea to create his and the law suit with Saverin who Mark has frozen out of the business who had initially funded the website before it started to make a profit. As well as making himself tremendously unpopular with the majority of the females on campus also brings himself to the attention of Winklevoss twins Cameron & Tyler (both played by Armie Hammer) and their friend Divya Narendra (Max Minghella), three rich students who have an idea for an exclusive Harvard website that allows members to be able to communicate. A website urging fellow students to compare the girls on campus to each other and pick their favourite. To learn more about how and for what purposes Amazon uses personal information (such as Amazon Store order history), please visit our Privacy Notice.Īfter being dumped by his girlfriend Erica (Rooney Mara) Mark Zuckerberg (Jesse Eisenberg) pours his bitterness into simultaneously blogging a nasty tirade of abuse about her while hacking into the Harvard database to create Facemash with the assistance from his best friend Eduardo Saverin (Andrew Garfield). You can change your choices at any time by visiting Cookie Preferences, as described in the Cookie Notice. Click ‘Customise Cookies’ to decline these cookies, make more detailed choices, or learn more. Third parties use cookies for their purposes of displaying and measuring personalised ads, generating audience insights, and developing and improving products. This includes using first- and third-party cookies, which store or access standard device information such as a unique identifier. If you agree, we’ll also use cookies to complement your shopping experience across the Amazon stores as described in our Cookie Notice. We also use these cookies to understand how customers use our services (for example, by measuring site visits) so we can make improvements. Unfortunately a financial disappointment, "Steve Jobs" deserves the same level of praise as "The Social Network.We use cookies and similar tools that are necessary to enable you to make purchases, to enhance your shopping experiences and to provide our services, as detailed in our Cookie Notice. Sorkin is somewhat sympathetic to both figures and notes the degree of their accomplishments, but doesn't shy away from making them seem selfish, militant, and often completely unlikeable.
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Like Eisenberg, Michael Fassbender gives a complex performance as the co-founder of a tech giant that is uncanny in its accuracy. Paired with another singular filmmaker in Danny Boyle, Sorkin depicts the background drama that unfolded during three pivotal product launches for Apple.
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Later, Sorkin gave a similar treatment to one of the most important tech figures of all time with "Steve Jobs." "The Social Network" explored how the birth of a network designed to connect people ultimately drives them further apart, and it's told in an intriguing nonlinear fashion.
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However, in his later projects, Sorkin left behind his optimism to examine how new technology intersects with modern relationships.